We recently sat down with Geno Carr, who is appearing in ASSASSINS at Cygnet Theatre, to get his impressions of the musical, his character and Stephen Sondheim…
Who are you playing and what is your character like?
I’m playing Charles Guiteau who assassinated President James Garfield. In this piece Sondhiem wanted to explore who are these people, these “Assassins” and why they did what they did. What drove them to this magnitude? What motivates a person to assassinate one of the most powerful people in the world? It’s been a great challenge to find empathy for this character, and try to make people feel something for this horrible person.
Charles had a very interesting life; he was a pretty crazy guy. He believed that after he delivered a speech he had written in favor of Garfield during Garfield’s campaign for presidency, that he was responsible for Garfield’s victory. This wasn’t true; however Charles believed that he was entitled to things, like becoming the Ambassador of France, but obviously this didn’t happen. And then Charles went crazy. However, I can’t play him crazy- that’s not something an actor should do. It’s our responsibility to understand the mentality of our characters. I’ve been working on his eccentricities and finding out what makes him tick, which is a lot of fun as an actor.
What do you enjoy about Sondhiem what’s special about Assassins to you?
I was fortunate to perform in Cygnet’s production of Sweeney Todd two years ago, but also when I was in college, I directed Into the Woods – which was incredibly cool and really fueled my deep appreciation for him. Somehow Sondheim is able to take subject matter that no one would ever imagine being a musical, and allow audiences to become invested.
His music is brilliantly difficult- it’s not something you might hum walking out of the theatre, but it’s so smart. He writes his music to inspire the characters and the story. Assassins is a musical about America- and so much ‘American’ music pops up throughout it. John Phillip Souza, a 70’s pop ballad- he draws from American music throughout history, and turns it into a Sondhiem masterpiece. Like the song ‘Another National Anthem’. It’s indeed this rousing anthem, but with a twist. There is this group of people in this country that have a different idea of what it means to be American. Sondhiem takes something familiar, like a ballad or an anthem, and twists the knife- adding layers and all these intricate elements that tell a story.
It’s fun to sing, and fun to act- it’s music that’s ‘performable’. His characters have thematic melodies that track throughout his productions. Sondheim does this throughout his work- he provides layers to a character, and that gives an actor and an audience a clear definition to the voice of these people.
Why do you think people shouldn’t miss this production?
I love working at Cygnet. Sean and his team take the work very seriously. Sean approaches musicals as though they are plays with music. I think in some crowds, musicals get a bad rap that it’s not as fulfilling as say, a Checkov play- but Sean picks musical that are for actors. Coming to a Cygnet musical means you’re not going to something fluffy. You’re going to leave wanting to talk about it, you’re going to think of something differently- it will have an effect on you.
Sometimes theatre should be passive, but Assassins will make you think.
I think it will be a huge conversation starter. This is a fascinating, interesting, fun night of theatre. You will laugh, you’ll be shocked, and you may cry. Assassins is one quality evening of theatre.