Backstage Blog

Season 14 Announced!

From classic musicals to shocking contemporary works, Season 2016-17 promises to be a true “Cygnet” Season

Every season must reflect the mission of the company and for the past 13 years, Artistic Director Sean Murray has crafted uniquely Cygnet seasons that reflect the commitment to “startle the soul, embrace diversity and ignite debate.” This year is no exception. The seven productions in Season 14 range from the traditional to the avant- garde and include two musical theatre classics, a two-show repertory by a Pulitzer prize-winning playwright, the return of a holiday favorite and two contemporary works sure to shock and amaze.

“I’m really proud of the diversity and quality of this season,” says Murray. “Leave it to us to go from a stripper, to an ex-con, to one naughty little boy in just one season. That’s exciting. That’s Cygnet!”

SEASON XIV: 2016-2017
List of Plays

GYPSY
July 14th – Sept 4th
Music by Jule Styne and Lyrics by Stephen Sondheim
Book by Arthur Laurents
Directed by Sean Murray
Choreography by David Brannen
Music Direction by Terry O’Donnell

Indomitable stage mother Rose chases vicarious success and stardom as she pushes her daughters through the vaudeville circuit. When Dainty June flees the act to elope, Rose vows to make introverted Louise into a star. Boasting one show-stopping song after another—like “Everything’s Coming Up Roses” and “Let Me Entertain You”—this classic musical was inspired by the memoirs of the legendary burlesque dancer Gypsy Rose Lee. Featuring Linda Libby as Mama Rose, Allison Spratt Pearce as Louise, Katie Whalley-Banville as Dainty June, and Manny Fernandes as Herbie.

“The quintessential American musical” – Hollywood Reporter

Gypsy cast members: Manny Fernandes, Allison Spratt-Pearce, Linda Libby, Katie Whalley-Banville

Gypsy cast members: Manny Fernandes, Allison Spratt-Pearce, Linda Libby, Katie Whalley-Banville

Repertory
SEVEN GUITARS
Sept 28th – Nov 6th
By August Wilson
San Diego Premiere

In the backyard of a Pittsburgh tenement in 1948, friends gather to mourn for a blues guitarist and singer who died just as his career was on the verge of taking off. The action that follows is a flashback to the busy week leading up to Floyd’s sudden and unnatural death. Seven Guitars is part bawdy comedy, part dark elegy and part mystery. This lyrical play is the sixth in August Wilson’s ten-play cycle which charts the African-American experience through each decade of the 20th century and is performed in rep with King Hedley II.

“Rich, music-drenched drama” – New York Times

Repertory
KING HEDLEY II
Sep. 29th
– Nov. 6th
By August Wilson
San Diego Premiere

King Hedley II shares the story of King –a man recently released from prison, attempting to rebuild his 
life amid changing times and a backdrop of the crime and drug struggles in the community he exists in. King dreams of a life 
of stability and self-reliance beyond incarceration, gangs and broken family. The play dares to ask what it takes to transcend 
the limitations of life and personal circumstance, and if pure will is enough to change a man’s destiny. King Hedley II is the eighth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century.

“Mesmerizing…. Full of powerful images that convey the darkly comic dialogue between hope and hopelessness in African American life.” – N.Y. Daily News

A CHRISTMAS CAROL
Nov 22nd – Dec 24th
Adaptation & Lyrics by Sean Murray
Original Score by Billy Thompson
Directed by Sean Murray
Musical Direction by Patrick Marion

Cygnet Theatre invites you to start your own family tradition with one of ours. This season welcomes the return of the holiday classic adapted from Charles Dickens’ timeless tale of hope and redemption. This re-imagined, fully staged production features original new music, creative stagecraft and puppetry, and live sound effects. Step into a Victorian Christmas card for a unique storytelling experience that is sure to delight the entire family!

“Critics Pick” in 2014 – San Diego Union Tribune

A Christmas Carol (2015)

A Christmas Carol (2015)

BAD JEWS
Jan 12th – Feb 12th
By Joshua Harmon
Directed by Rob Lutfy
San Diego Premiere

The night after their grandfather’s funeral, three cousins engage in a verbal battle royale over a family heirloom. In one corner is the unstoppable and self-assured force of “Super Jew” Daphna. In the other, the immovable and entitled object of her secular cousin Liam. And in the middle is Liam’s brother Jonah, trying to stay out of the fray. Bad Jews is a savage comedy about family, faith, and legacy.

“The funniest play of the year.”-The Washington Post
“Delectably savage humor” – The New York Times

ON THE 20TH CENTURY
March 9th – April 30th
San Diego Premiere
Book and Lyrics by Betty Comden and Adolph Green
Music by Cy Coleman
Directed by Sean Murray

Its nonstop laughs aboard the Twentieth Century, a luxury train traveling from Chicago to New York City. Luck, love and mischief collide when the bankrupt theater producer Oscar Jaffee embarks on a madcap mission to cajole glamorous Hollywood starlet Lily Garland into playing the lead in his new, non-existent epic drama. But is the train ride long enough to reignite the spark between these former lovers, create a play from scratch, and find the money to get it all the way to Broadway? Featuring Eileen Bowman as Lily Garland and Melinda Gilb as Letitia Primrose.

“Old-fashioned musical comedy magic”– USA Today
“The show is a nonstop delight.” – The New York Post

On the Twentieth Century cast members: Melinda Gilb & Eileen Bowmann

On the Twentieth Century cast members: Melinda Gilb & Eileen Bowmann

SHOCKHEADED PETER
May 18th – June 18th
West Coast Regional Premiere
Music by Adrian Huge, Martyn Jacques, Adrian Stout
Lyrics by Martyn Jacques
Book by Julian Bleach, Anthony Cairns, Graeme Gilmour, Tamzin Griffen
Based on Struwwelpeter by Heinrich Hoffmann
Directed by Rob Lutfy

Fall into the world of Victorian Steam-punk nightmares as a manic music-box spins stories of naughty children and misguided parents. Silly and sinister, Shockheaded Peter dares us to ask what’s beneath the floorboards. Don’t miss the most damning tale ever told on stage!

“A vile and repulsive story told by reprehensible characters in a thoroughly degenerate fashion – Absolute Bliss” – David Bowie
“A wryly seedy cabaret-punk musical” -Variety

 Come join us for this wild ride! Tickets and new subscriptions will be available for purchase on March 1st.  

Playing a ‘pretty crazy guy’

Geno

Geno Carr as Charles Guiteau.
Photo by Rich Soublet II.

We recently sat down with Geno Carr, who is appearing in ASSASSINS at Cygnet Theatre, to get his impressions of the musical, his character and Stephen Sondheim…

Who are you playing and what is your character like?

I’m playing Charles Guiteau who assassinated President James Garfield.  In this piece Sondhiem wanted to explore who are these people, these “Assassins” and why they did what they did.  What drove them to this magnitude?  What motivates a person to assassinate one of the most powerful people in the world?  It’s been a great challenge to find empathy for this character, and try to make people feel something for this horrible person.

Charles had a very interesting life; he was a pretty crazy guy.  He believed that after he delivered a speech he had written in favor of Garfield during Garfield’s campaign for presidency, that he was responsible for Garfield’s victory. This wasn’t true; however Charles believed that he was entitled to things, like becoming the Ambassador of France, but obviously this didn’t happen.  And then Charles went crazy.  However, I can’t play him crazy- that’s not something an actor should do. It’s our responsibility to understand the mentality of our characters. I’ve been working on his eccentricities and finding out what makes him tick, which is a lot of fun as an actor.

What do you enjoy about Sondhiem what’s special about Assassins to you?

I was fortunate to perform in Cygnet’s production of Sweeney Todd two years ago, but also when I was in college, I directed Into the Woods - which was incredibly cool and really fueled my deep appreciation for him.  Somehow Sondheim is able to take subject matter that no one would ever imagine being a musical, and allow audiences to become invested.

His music is brilliantly difficult- it’s not something you might hum walking out of the theatre, but it’s so smart.  He writes his music to inspire the characters and the story.  Assassins is a musical about America- and so much ‘American’ music pops up throughout it.  John Phillip Souza, a 70’s pop ballad- he draws from American music throughout history, and turns it into a Sondhiem masterpiece.  Like the song ‘Another National Anthem’.  It’s indeed this rousing anthem, but with a twist.   There is this group of people in this country that have a different idea of what it means to be American.  Sondhiem takes something familiar, like a ballad or an anthem, and twists the knife- adding layers and all these intricate elements that tell a story.

It’s fun to sing, and fun to act- it’s music that’s ‘performable’.  His characters have thematic melodies that track throughout his productions. Sondheim does this throughout his work- he provides layers to a character, and that gives an actor and an audience a clear definition to the voice of these people.

Why do you think people shouldn’t miss this production?

I love working at Cygnet. Sean and his team take the work very seriously.  Sean approaches musicals as though they are plays with music. I think in some crowds, musicals get a bad rap that it’s not as fulfilling as say, a Checkov play- but Sean picks musical that are for actors.  Coming to a Cygnet musical means you’re not going to something fluffy.  You’re going to leave wanting to talk about it, you’re going to think of something differently- it will have an effect on you.

Sometimes theatre should be passive, but Assassins will make you think.

I think it will be a huge conversation starter.  This is a fascinating, interesting, fun night of theatre.  You will laugh, you’ll be shocked, and you may cry.  Assassins is one quality evening of theatre.

Sweeney Todd Music Rehearsals

We celebrated the opening of Sweeney Todd last night.  The performers were all outstanding, and the audience responded with a standing ovation.  Afterwards we enjoyed a wonderful post show party hosted by gracious folks at Casa Guadalajara.

Over the past couple of weeks I have caught glimpses of the show in rehearsals, and watched as the entire collection of artists, one of the largest we’ve ever assembled at Cygnet, have come together to create an exciting evening of theatre.  During that time I managed to also capture some video of the rehearsals, including the first time the cast and band rehearsed together, and the first rehearsals on the completed stage.  Please enjoy this peek behind the scenes.