Backstage Blog

My Fair Lady: The Myth, The Play, The Musical (Part 2)

Part 2 -  The Play

As we learned in last week’s blog, in ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was actually quite a popular subject for Victorian era English playwrights. In fact, one of Shaw’s influences, W.S. Gilbert, wrote a rather successful play based on the story called Pygmalion and Galatea. This blank verse play, which was presented in three acts, premiered at the Haymarket Theatre in London on December 9, 1871 and ran for a very successful 184 performances. Gilbert’s Pygmalion was so popular that other versions of the play were rushed to the stage, including Ganymede and Galatea in January of 1872, William Brough’s Pygmalion; or, The Statue Fair in March of 1872, and in May of that same year a visiting French company produced VictorMassé’s Galathée. And not too long after in 1883, Galatea, or Pygmalion Re-Versed, a musical burlesque that parodies the Pygmalion myth and specifically Gilbert’s 1871 play, premiered at the Gaiety Theatre in London.

George Bernard Shaw

George Bernard Shaw

George Bernard Shaw’s Pygmalion, however, is easily the most well-known stage play of any similar title. It both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the Ovid tale of a sculptor who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw’s feminist views. In Shaw’s hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his ‘creation’ has a mind of her own. Pygmalion nevertheless probes important questions about social class, human behavior, and relations between the sexes.

Cover-play1913

Illustration from the cover of the 1913 Playbill

Hoping to circumvent what he felt was the tendency of the London press to criticize his plays unfairly, Shaw chose to produce a German translation of Pygmalion in Vienna and Berlin before bringing the play to London. The London critics appreciated the acclaim the play had received overseas, and, after it opened at His Majesty’s Theatre on April 11, 1914, it enjoyed success, firmly establishing Shaw’s reputation as a popular playwright.

The popularity of the play caused its leap from stage to screen. Shaw was always reluctant to have his plays filmed because he would not tolerate any tampering with his dialogue, but he was persuaded by Gabriel Pascal to allow a film version of Pygmalion. Writing the screenplay for the film version of 1938 helped Shaw to become the first and only man ever to win both the Nobel Prize for literature and an Academy Award.

Mrs. Patrick Campbell as Eliza Doolittle

Mrs. Patrick Campbell as Eliza Doolittle

However, concessions were extracted from Shaw by the film’s producers, who changed the ending and watered down some of the supporting characters. Before the film came out, Shaw in fact wrote a ‘sequel’ to his first publication of the play. This was to solidify his ending and rebut any possible public demand for a more conventionally romantic ending.

Check back next week to learn how this play turned into one of the most popular musicals of all time. 

My Fair Lady: The Myth, The Play, The Musical (Part 1)

Part One:The Myth

In this three part series, our resident dramaturge Taylor Wycoff, walks us through the history of how My Fair Lady came to be. Before it became one of the most popular musicals of the century, it was a play.  And before it was a play, it was a myth…

As a dramaturge, when you’re tasked with a beloved classic like My Fair Lady, it’s easy to get bogged down in the details. Things like Covent Garden in early 20th century London, or English currency PRE-decimalization. But one thing I found absolutely delightful about working on this show was revisiting its roots. It’s common knowledge that the critically acclaimed musical is based on George Bernard Shaw’s famous play-turned-Academy-Award-winning movie, Pygmalion. What’s lesser known is that the roots of Shaw’s play actually date all the way back to ancient Greece with the myth of Pygmalion and Galatea.

Étienne Maurice Falconet: Pygmalion et Galatée

Étienne Maurice Falconet: Pygmalion et Galatée

So who was Pygmalion? And how did his story end up inspiring such a female-centric narrative? He is most familiar from Ovid’s narrative poem Metamorphoses as the legendary sculptor from Cyprus (Pygmalion is the Greek version of the Phoenician royal name Pumayyaton), who fell in love with a statue he carved. As the story goes, Pygmalion was so sick of the imperfections of women that he sculpted the perfect woman out of ivory and fell in love with her. At the festival of Aphrodite, when it came time to play his part in the processional, Pygmalion stood before the altar and timidly said, “Ye If you gods can give all things, may I have as my wife, I pray”- he dared not say “the ivory maiden,” but said instead-“one like the ivory maiden.” Aphrodite, who was present at the festival, heard him and knew the thought he would have uttered.

Pygmalion by Jean-Baptiste Regnault, 1786

Pygmalion by Jean-Baptiste Regnault, 1786

Showing her favor, she caused the altar’s flame to flare up three times, shooting a long flame of fire into the still air. After the day’s festivities, when Pygmalion returned home and kissed his Galatea, as was his custom, he was startled by the warmth of her kiss, for Aphrodite had answered his prayers. Aphrodite further blessed the happiness and union of this couple with a child. Pygmalion and Galatea named the child Paphos, for which the city is still known until this day.

Check back next week to learn about George Bernard Shaw and how he adapted this myth into the more well known play of the same title!

A Marriage Made in Theatre Heaven

At Cygnet Theatre, we like to think of ourselves as one big happy family, but two of our My Fair Lady cast members took it a bit more seriously! Featured in multiple roles in the show are married couple Bryan Banville (Assassins) and Katie Whalley Banville (Company, Man of La Mancha). This is not the first time a married couple has taken the stage. The Norman Conquests featured Sandy & Danny Campbell, Bed and Sofa featured Lance Arthur Smith & Colleen Kollar Smith and Assassins included Manny & Melissa Fernandes.

We love Bryan and Katie’s “meet cute” theatre love story and wanted to share it – including the roles fellow cast members Ralph Johnson and Linda Libby played in their romance. A little late for Valentines Day, but very romantic nonetheless! Bryan tells us the tale….

How did you two meet?

I saw Katie in ion theatre’s production of Gypsy. In awe of her performance – and her legs – I asked Ralph Johnson, who was also in the production with her, and Justin Tuazon-Martin, who was in Cygnet’s production of Man of La Mancha with Katie and I, to be introduced. Ralph gave Katie my information, and we connected MONTHS later – due to my shyness – and finally had our first date where I showed up 45 minutes early and waited at the restaurant while Katie showed up 30 minutes early and waited in her car. Although it took a while for the second date to happen, delayed by car troubles, injuries, and plain old scheduling, we both showed up to our second date in the same, identical rental car… And the rest is theatre history.

Katie and Byran backstage in Man of La Mancha

Katie and Byran backstage in Man of La Mancha

 

When and where did you get married?

We were married at the beautiful and historical Lafayette Hotel in 2014. We had an amazing celebration marked with the love and support of our family, friends, and the wonderful members of the San Diego theater community. Sunny Haines (who often works backstage as a dresser at Cygnet) was our wedding planner, Kurt Norby provided all the music, David Brannen (choreographer of My Fair Lady) choreographed our first dance, Jen Wheeler-Khan (Stage Manager at the Playhouse and Old Globe) provided the wonderful decorations, Linda Libby read a beautiful passage during the ceremony, and the wonderful Ralph Johnson got ordained and married us!

The wedding ceremony performed by friend and Cygnet artist Ralph Johnson

The wedding ceremony performed by friend and Cygnet artist Ralph Johnson

What happens when two talented performers get married and share a first dance? Take a look here.

How many times have you worked together?

My Fair Lady will be our 7th production together since we met! Our first production as a couple was at Cygnet when we did Man of La Mancha together. We went on to perform in Mixtape for Lamb’s Players Theatre where we got to go to the 80’s prom every night together. Since we have been married we have done a total of 5 shows including My Fair Lady. Right after our wedding we started rehearsals for Passion at ion theatre and then spent the summer at Moonlight Theatre in Vista performing in Spamalot, Mary Poppins, and Catch Me If You Can - the last two, we got to be dance partners which was super fun!

Share your dream roles as a couple.

View More: http://brookealiceon.pass.us/bkwedding

The Newlyweds

This is an interesting question! We have discussed this a few times and have included some of them below:

1.) Jamie & Kathy in The Last Five Years. The music is so beautiful, and the story would be so challenging to tackle as a married couple!

2.) Millie & Jimmy in Thoroughly Modern Millie. Wonderful show, and fun roles for us to play on our strengths!

3.) Baker & Baker’s Wife in Into the Woods. This would be for when we are a bit older, but it would be an absolute pleasure getting to dive into two characters that reflect our personalities so well!

4.) Edward & Sandra Bloom in Big Fish. Again this would be for when we are older, but it’s one of the most real and loving stories to be told about a couple, and the music is GREAT!

Catch them now through April 26th in My Fair Lady at Cygnet Theatre!

Katie, Bryan, and the cast of My Fair Lady, including Ralph Johnson and Linda Libby.

Katie, Bryan, and the cast of My Fair Lady, including Ralph Johnson and Linda Libby.

Announcing Season Thirteen

 From a fish falling out of the sky in the year 2039, to a “sweet transvestite”, to one stupid f**king bird…our next season will take you to seven different times and places filled with humanity, laughter, destruction and compassion. And we’re excited to share it with you now.  Without further antici…pation, here’s our 2015-2016 season!

DOGFIGHT
Music and Lyrics by BENJ PASEK & JUSTIN PAUL
Book by PETER DUCHAN
Based on the Warner Bros. Film and Screenplay by BOB COMFORT
Directed by SEAN MURRAY
July 16th – August 23rd, 2015. Opening July 25th, 2015.

It’s November 21, 1963. On the eve of their deployment to a small but growing conflict in Southeast Asia, three young Marines set out for one final boys’ night of debauchery, partying and maybe a little trouble. But when Corporal Eddie Birdlace meets Rose, an awkward and idealistic waitress he enlists to win a cruel bet with his fellow recruits, she rewrites the rules of the game and teaches him the power of compassion. Winner of the Lucille Lortel Award for Best Musical and praised by countless critics, Dogfight takes audiences on a romantic and heartbreaking theatrical journey that stays with you long after the performance. Featuring Dave Thomas Brown (Shakespeare’s R&J, Spring Awakening)  “Superbly crafted, gratifyingly intelligent, richly observant, and immensely enjoyable. This is musical theatre at its finest.” – Backstage

Dave Thomas Brown in Spring Awakening

Dave Thomas Brown in Spring Awakening

HAY FEVER (Performed in Rep with The Vortex)
By NOËL COWARD
Directed by ROB LUTFY
Semptember 23rd – November 8th, 2015. Opening October 3rd, 2015.

Retired stage star Judith Bliss, her novelist husband and their two bohemian adult children have each invited houseguests for the weekend. But as the Blisses indulge their artistic eccentricities in a hilarious whirlwind of flirtation and histrionics, the guests begin to wonder if they’ve landed in a madhouse – and if they can survive with their own wits intact. Set in an English country house in the 1920’s, Noël Coward’s hilarious comedy of bad manners has been a favorite amongst theatregoers ever since it first dazzled London’s West End in 1925.  “An evening of intoxicating escape” – The New York Times

THE VORTEX (Performed in Rep with Hay Fever)
By NOËl COWARD
Directed by SEAN MURRAY
September 24th – November 8th, 2015. Opening October 3rd, 2015.

Nicky Lancaster brings his elegant fiancée, Bunty, home to introduce her to his famous mother, stage actress Florence Lancaster. Nicky is shocked to discover that Florence has taken a much younger lover, and when Bunty ditches Nicky to run off with his mother’s boy-toy, both are forced to confront the truth about themselves. Noël Coward’s first commercially successful hit, The Vortex premiered in 1924 in London, and its scandalous subject matter of drug abuse, repressed homosexuality, nymphomania and Oedipal jealousy made Coward an overnight sensation. Hay Fever and The Vortex will feature Rosina Reynolds (The Glass Menagerie, Noises Off)  The Vortex (1924) is the play that turned Noël Coward into a star….Almost nine decades later, it still packs a powerful punch.” -The Telegraph

Rosina Reynolds in The Glass Menagerie

Rosina Reynolds in The Glass Menagerie

A CHRISTMAS CAROL
Adaptation and Lyrics by SEAN MURRAY
Score by BILLY THOMPSON
Directed by SEAN MURRAY
November 27th – December 27th, 2015. Opening December 5th, 2015.

Cygnet Theatre invites you to start your own family tradition with one of ours. This season welcomes the return of theholiday classic adapted from Charles Dickens’ timeless tale of hope and redemption. This re-imagined, fully staged production features original new music, creative stagecraft and puppetry, and live sound effects. Step into a Victorian Christmas card for a unique storytelling experience that is sure to delight the entire family!  “Critics Choice” in 2014 – UT San Diego

A Christmas Carol 2014

A Christmas Carol 2014

 WHEN THE RAIN STOPS FALLING
By ANDREW BOVELL
Directed by ROB LUTFY
January 14th – February 14th, 2016. Opening January 23rd, 2016.

Alice Springs in the year 2039. A fish falls from the sky and lands at the feet of Gabriel York. And it still smells of the sea. It’s been raining for days, and Gabriel knows something is wrong. Fifty years earlier, his grandfather, Henry Law, predicts that fish will fall from the sky heralding a great flood which will end life on earth as we know it. In an intricate, multi-layered story that spans four generations and two continents, When the Rain Stops Falling explores patterns of betrayal, abandonment, destruction, forgiveness and love. This powerful drama unfolds with humanity, surprising humor and hope, as the past plays out into the future.  “The Best New Play of Year” in 2010 – Time Magazine

RICHARD O’BRIAN’S THE ROCKY HORROR SHOW
Book, Music and Lyrics by RICHARD O’BRIEN
Directed by SEAN MURRAY
March 10th – May 1st, 2016. Opening March 19th, 2016.

A satirical tribute to the science fiction and B-list horror movies of the 20th century, the show centers around two naïve lovers, Brad and Janet. Seeking shelter from a thunderstorm in an old castle, they find themselves thrust into the laboratory of the cross-dressing mad scientist Dr. Frank ‘N’ Furter and his motley crew. Stripped of inhibitions — and their clothes — Brad and Janet embark on a wild, unforgettable journey of pleasure and self-discovery. Reality, fiction, and camp collide in this mash-up of comics, rock and roll, and late-night horror flicks.  “A musical that deals with mutating identity and time warps becomes one of the most mutated, time warped phenomena in show business.” – The New York Times

STUPID F**KING BIRD
By AARON POSNER
Directed by ROB LUTFY
May 19th – June 19th, 2016. Opening May 28th, 2016.

In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, award-winning playwright Aaron Posner wages a timeless battle between young and old, past and present, in search of the true meaning of it all. An aspiring young director rampages against the art created by his mother’s generation. A nubile young actress wrestles with an aging Hollywood star for the affections of a renowned novelist. And everyone discovers just how disappointing love, art, and growing up can be. With music, meta-theatricality, and mad humor, playwright Aaron Posner beats The Seagull to a bloody pulp.  “Bitterly sardonic…Ferociously funny” – Stage and Cinema

Purchase single tickets here.

Purchase subscription packages here.

 

Playwright Insight: Stephen Karam

It’s a special occurrence when a theatre get to chat with a playwright. Stephen Karam took some time from his busy schedule to answer a few of our questions about what he’s working on now, and his hopes for getting out to San Diego.  

Stephen Karam

Stephen Karam

What are you working on now?

I’m working on a new play called, THE HUMANS. To explain the title might be giving too much away. But suffice to say this is a genre-collision play; it’s a ghost story/thriller…and a family play. I suppose it’s…a family thriller? If Sons of the Prophet looked at the way humans cope with suffering, The Humans looks at the way we cope with our biggest fears, the way we process the big existential horrors of life. I wanted to write a play about human fear that was actually scary. It’s an interesting time to think about what “terror” means to us—we keep hearing the word “recovery” in the news, but I think most Americans are still trying to climb out of this weird black pit of dread and malaise set off by 9/11 and the financial crisis. The production just closed in Chicago. It will open in New York City in September. I hope it lands in San Diego soon…

Have you ever been to San Diego? If not, any plans to visit?

Sadly, my California experiences have been limited to Los Angeles and San Francisco. I would love nothing more than to make it San Diego someday. I love warm weather and swimming in the ocean (and adventurous theater companies like Cygnet), so my hunch is I will be quite happy there! I’m delighted when the characters in my plays make it to cities before I do. I’m proud and thrilled the Douaihys have made it to San Diego.

For more on Stephen Karam check out this article and interview from Roundabout Theatre Company.

Virtual Peek Backstage @ Social Media Night

This January we held one of our traditional Cygneture events at the theatre for our patrons, bloggers, Twitter fans, and media. During a fun and engaging night at Sons of the Prophet, our staff, cast, and crew participated in live tweeting and provided some behind-the-scenes facts about the show as it progressed through the night.

Check out these fun facts and recaps from the night
and join us for the next one!

  1. As we were assembling the deer decoy, the office dog, Uli, wasn’t sure what to make of it.  At least we made the playwright, Stephen Karam, laugh.

Deer and Dog

Screen Shot 2015-02-05 at 1.49.15 PM

Assembling our final cast member, the deer decoy.

2. The actors took some awesome backstage photos. Dylan, who plays Charles, also participated in the first Social Media Night for  Spring Awakening. Do you see a pattern with Dylan?

Dylan&Dylan

  1. Close to home: The voiceovers in the show were actor Faeren Adams (Ensemble), who voiced the automated phone message at the bus station, and the sound designer’s mother, who is an actual nurse, voicing the overhead paging system in the hospital waiting room scene.

Photo by Daren Scott

  1. The image of St. Rafqa in the upstairs bedroom is a religious icon from the Maronite Oder of the Blessed Virgin Mary in Lebanon.
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Dylan Mulvaney, as Charles, with the image of St. Rafqa. Photo by Daren Scott

  1. Our Costume Designer (and also our Development Director) Veronica Murphy scored some lucky finds. One of the hardest things to locate in San Diego is a big bulky coat (since 60 degrees is near-freezing).  She searched everywhere for a coat for Gloria, played by Maggie Carney, with no luck. We got a last minute donation and it fit her perfectly!
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Featured in this picture from left to right is Maggie Carney, Alex Hoeffler, Dylan Mulvaney, and Navarre Perry. Photo by Daren Scott

  1. In the last scene, Joseph is wearing a Nazareth Cross Country t-shirt, which was his high school team. It was given to us for free by the actual Nazareth High School Athletic Department in Pennsylvania.Screen Shot 2015-02-05 at 3.13.25 PM
  2. Joseph’s character, Sons of the Prophet’s playwright Stephen Karam, grew up in Scranton, PA. and ran cross-country. He also lived down the street from an actual Douaihy family.

Alex and Stephen

  1. Double throwback fact: Two young Cygnet actors are currently playing Charles in different productions of Sons of the Prophet.  Dylan Mulvaney, who plays Charles at Cygnet, was last seen here at the theatre in Spring Awakening as Ernst. Braxton Molinaro was last seen at Cygnet Theatre in Assassins as John Wilkes Booth. He is currently playing Charles in a production at the Blank Theatre in Hollywood, CA.
Dylan_Braxton comparison photo

Dylan Mulvaney (left) with fellow actor Jacob Caltrider. Braxton Molinaro (center) with the cast of Assassins.

Join us for the next Social Media Nights for My Fair Lady (March 13) and The Whale (May 22).  You never know what you might learn about the show and its cast!

Jacob Caltrider’s Next Big Role – Cygnet Casting Director!

Jacob Caltrider, Cygnet’s Artistic Associate and new Casting Director, tell us why he’s excited about his promotion and how he got involved in performing arts in the first place.

Cygnet_Jacob2

How would you describe your new job? Tell us about your new position and what you’re looking forward to most.

I’ve been involved in the organization and execution of the auditions for a few years now, but this new title means I’ll have more freedom in how the whole process works, as well as the ability to be more hands-on in the actual audition room. I’m excited to be in the room more often, you learn a whole lot by seeing the process from the other side of the table and I’ve got a lot more I want to learn!

How did you get started in theatre and what drew you to it? 

A Christmas Carol

Jacob in his first show, A Christmas Carol, in 2008 at Cygnet Theatre with Amanda Cooley Davis & Manny Fernandes

I got started one summer when I was 13 – my mom saw an ad in the paper for auditions for The Wizard of Oz at a local community youth theatre. Once I started I never stopped. I got involved with Cygnet in 2008 when I came out to audition for A Christmas Carol. That was the first show following the big renovation of the Old Town Theatre, it was exciting!

What advice would you give to an actor auditioning? 

Send your headshot as resume as a PDF. Many actors send their information in an editable format (word, pages), and not all computers have the right layout options or fonts to correctly display your work. I often open resumes that look like jumbled nonsense. A PDF will make certain the resume I see looks exactly the same as the one you see.

What has been your favorite Cygnet production that you’ve seen? Been a part of?

There are several productions I loved at Cygnet! Recently, I was able to catch the closing day of “A Christmas Carol” and absolutely adored it. It was really fun for me to see this version of the story after having been in the cast of the 2008 Christmas Carol. Such wildly different approaches to the same source material- and both really fantastic.

Assasins

Jacob as Lee Harvey Oswald with the rest of the Assassins cast

I love each Cygnet show I’ve been cast in for different reasons, though Assassins may be my favorite. The way I got to be involved in the telling of all those stories as the Balladeer, and then to turn around and tell Lee Harvey Oswald’s story as Oswald himself was very satisfying to me. That production felt so tight and sharp, it felt amazing to be part of the ensemble.

Join us in congratulating Jacob.  And although he’s doing great things behind-the-scenes, you’ll still be able to catch his incredible talent on stage at Cygnet and theaters around the county. 

Behind-the-Scenes of A Christmas Carol

For every production at Cygnet Theatre, we hold special Designer Forums that take our patrons behind-the-scenes with the creative team.  Listen to the director of each show talk about how they prepare for a show, and get a glimpse into the process of set design, costumes, sound, & lighting.  Check out our latest forum for A Christmas Carol.

Want to attend the next one?  Make sure you’re on our e-blast list to get invitations and reminders.

Director’s Insight: 

Creating the Characters: Costumes & Wigs

The Stage: Set Design

Creative Puppetry

The Magic of Mixing Live & Recorded Sound Effects

Christmas Past and Present with Maggie Carney

It’s the time of year when Cygnet Theatre delights you with the timeless story of A Christmas Carol. We sat down with the some of the cast to find out what Christmas means to them.  Resident actor Maggie Carney shared with us her favorite holiday memories, past and present, in San Diego and in her hometown of East Troy, Wisconsin. 

Tell us about one of your favorite childhood holiday memories… 

Maggie (left) and her sister Kate playing in the snow behind their house in Milwaukee, WI in 1966.

I loved singing in the choir at Midnight Mass at St.Peter’s Church in East Troy, Wisconsin with my sisters, Kate and Aileen. We sang every year from about ages 8 to 12 (we are all a year apart in age). We would have to take a nap in the afternoon to make it through the program, which started at 10:30 pm and went to 1:00 am.  When we got home we were allowed to pick ONE present from under the tree to open. We also got to drink hot chocolate and eat christmas cookies…at one in the morning! A good family memory, indeed.

Maggie's father tossing her in the snow

Maggie’s father tossing her in the snow

How do you celebrate the holidays here in San Diego?

My husband Joe and I sleep in on Christmas morning. When Christmas Carols are blaring, we open gifts, drink coffee and eat pain au chocolat in our pjs, while our pup Grady opens his presents. The day is all about relaxation: calling parents, sisters and brothers, watching movies, reading books received for Christmas in front of the fireplace, baking a chicken, going for a walk in the ‘hood…just sharing the day together.

What is your favorite holiday show or movie?

My favorite holiday show is A Christmas Carol (1972 TV Special) featuring Richard Williams and Chuck Jones. I remember seeing it when I was little and being so scared!

See A Christmas Carol now through December 28. Purchase tickets at http://www.cygnettheatre.com/tickets/buynow.php

 

Playwright Insight: Diana Burbano

PiP logoPlaywrights in Process: New Play Festival is Cygnet Theatre’s annual festival of readings of new plays presented in collaboration with Playwrights Project. The festival introduces San Diego playgoers to new works by local artists and also offers a series of workshops designed to introduce curious audiences to the art of playwriting. In addition, the three-day festival at the Old Town Theatre includes opportunities for informal forums to meet the playwrights.

With the festival around the corner, we asked our playwrights to tell us how the process is going for them. Here’s playwright Diana Burbano talking about her play, Silueta, with playwrights Tom Shelton and Chris Shelton.

L to R:Diana Burbano, Tom Shelton, Christopher Shelton

L to R:Diana Burbano, Tom Shelton, Christopher Shelton

How has working with theatre artists from Cygnet Theatre and Playwrights Project helped your writing for Playwrights in Process?

They are generous and are deeply invested in helping our play grow. It is rather delicious to feel like we have a whole group of people who are “in” on the story. We are very grateful for the time and brainpower that Jessica Ordon, Katherine Harroff, Derek Charles Livingston, Veronica Burgess and Charles Maze have given to us. It feels hugely collaborative and energizing.

Diana on her inspiration for the play: I was and am dismayed at the lack of interesting roles for women of my age and ethnicity. 

About Silueta: Silueta is a two-person show based on the true story of Ana Mendieta, who fell 34 stories to her death in 1985. Almost three decades later her ghost returns to ask her husband a question for which she needs an answer: Did he push her.

Click here for more insight from Diana on her play and Playwrights in Process. 

See Silueta on Sunday, Nov 9 at 2:00pm.View complete information on workshops and plays:http://www.cygnettheatre.com/connect/playwrights.php

A huge thanks to Festival sponsors Bill and Judy Garrett.