Cygnet Holiday Recipes, part 2

By Manny Fernandes. Posted on 12/18/09

As promised, we have one more recipe for you this holiday season. This one comes from Veronica Murphy, who along with serving as our Development Director is currently appearing as Ma Bailey in It’s a Wonderful Life: A Live Radio Play. Please enjoy.

When I was a young bride and not very kitchen adept (I put butter in the pan to fry bacon!!! and my first jello salad was more like jello soup), this is the first cake I ever made. It turns out I could bake!! This cake immediately became our family ‘Birthday Cake’ tradition, affectionately known as ‘Aunt Vicki’s Chocolate Cake.’ WARNING – When I made it for my youngest son’s 15th birthday, I mistakenly left out the baking soda. Not recommended!! It was tasty but very chewy, more like a giant Oreo cookie than a cake.

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Cygnet Holiday Recipes part 1

By Manny Fernandes. Posted on 12/10/09

We thought we do something fun and different this week. Many of us here at Cygnet are fans of cooking shows such as Top Chef, so we’d thought we’d offer up a couple of our favorite Holiday Recipes. First up – Sean Murray’s Holiday Turkey Cranberry Chipotle Chili. Next week… Aunt Vicki’s Chocolate Cake. Enjoy!

Sean Murray’s Holiday Turkey Cranberry Chipotle Chili

This is my red and green Holiday Chili. The green comes from the tomatillos in the sauce (although it isn’t really all that green!) and the red from the fresh cranberries floating on the top of the chili. Make it as spicy as you desire. It’s great with cornbread.

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Five Things You Didn’t Know About Cygnet Theatre

By Jessica John. Posted on 12/03/09

CygLogo_bug1. The Cygnet Theatre Name has a Cheeky Origin.

As most theatre buffs will tell you, the Globe Theatre in London has long-been considered one of the “most magnificent” theatres the city has every seen.  Shakespeare’s legendary theatre was built in the 16th century by carpenter Peter Smith and his workers, and most arts-lovers of the day felt that no other theatre would ever match its accomplishments or stature.  Nor did many dare try.  The Swan Theatre became the Globe’s one major rival, continually striving to reach new heights in theatrical achievements, despite its later eminence.  Artistic Director Sean Murray was inspired by this driven-and-able historical theatre, and has held in the highest regard Craig Noel, the founding director of San Diego’s Old Globe Theatre.   As cygnet is the name for a baby swan, Sean liked the tongue-and-cheek title for his theatre.   Cygnet Theatre may have begun as a fledgling playhouse in a strip-mall, but we’ve got some big ambitions and some real cheek.

2. There’s a swan in every Cygnet set.

We at Cygnet love our namesake.  For this reason, every Cygnet set pays tribute with a swan hidden (and sometimes not so hidden) within the scenery.  The very first Cygnet show – Hedwig and the Angry Inch – included a giant paper mache swan head made entirely of paper plates which guarded the band’s drummer.  Copenhagen’s swan was displayed on the multiple chalk-boards. Set designer, Sean Fanning hand-drew a swan, along with notes, phone numbers and doodles on the Mauritius set’s bulletin board.  Escanaba in da’ Moonlight featured crates with a company logo swan stamped on their sides and A Little Night Music continued the tradition with a swan carved into Frederick’s elaborate bed.   Although they’re sometimes challenging to spot, the Cygnet swan will make its appearance in each and every season’s show.  Just another reason to enjoy a look around your next Cygnet set.

3. There’s a Ghost in the House.

Sure we’re theatre people and drawn to the dramatic, but we can’t deny the feeling that we’re not alone in here.  Our move to Old Town not only provided us some new digs, it seems that it came with a complimentary company member.  Nothing to worry about, of course.  The Old Town ghost – or Charlie, as he’s been named – seems to appreciate the entertainment.  We assume it’s why he’s stuck around and made his presence known to other theatre companies who made their home at the Old Town Theatre before us.  But he also seems to love a practical joke or two.  While we’ve become accustomed to his slamming doors and bumps in the night, we do wish he’d return the various props and costume pieces that have gone missing from our latest Cygnet productions.

The artist formerly known as Thom with Marci Anne Wuebben in A Little Night Music

The artist formerly known as Thom with Marci Anne Wuebben in A Little Night Music

4. Sean Murray isn’t His Real Name.

Artistic Director Sean Murray isn’t who he says he is.  His real name is Thomas Murray, but you tell that to Equity.   In order to get his Equity card, he had to choose a name that wasn’t already in their system, and his middle name seemed to be the next best choice.  Plus, Mama Murray was all for it.  When he asked her what she thought his Equity name ought to be, she told him that although he was a fifth generation “Thomas Murray”, if she’d had her druthers, his name would have been Sean anyway.  Of course, we love him as “Sean” as much as we’d love him as “Thom” but we DO wonder what else he’s not telling us.

5. Cygnet Theatre’s Wonderful Life Includes Some Real Radio Royalty.

Lovers of Cygnet Theatre’s It’s a Wonderful Life: A Live Radio Play, have come to recognize actor Jonathan Dunn-Rankin as cantankerous, old “Mr. Potter.”   But listen closely and you’ll hear the golden pipes of real radio royalty in his between-scene radio announcements.

Jonathan Dunn-Rankin in It's A Wonderful Life: A Live Radio Play

Jonathan Dunn-Rankin in It's A Wonderful Life: A Live Radio Play

At only 17 years old, Jonathan began working in radio in 1940s Florida.  He grew up to become one of the recognized, big-voiced 40s radio announcers of the era.  That broadcast history eventually brought Jonathan to San Diego where he spent many years as KFMB’s principle television newscaster. Artistic Director Sean Murray remembers watching him on Channel 8 regularly, never realizing they would one day work together.  Now Jonathan has become part of Cygnet’s annual holiday tradition.  This will be his third year of bringing his life experience to the stage.  As the station chimes play and he opens the show into the radio mike, don’t be surprised if you feel as though you’ve slipped back in time.

Cygnet Tech Pancake Breakfast

By Sean Murray. Posted on 11/22/09

We enjoyed treating the cast to our tech pancake breakfast this morning. It is a way to start tech stress free, full of food, and time to bond.
Here’s my pancake recipe. No Bisquick for this one!

Sean’s Pancake Recipe
1 cup whole wheat flour
1/4 cup Ground Flax Seed (optional)
1/2 cup Oat Bran (optional)
Sprinkle of Wheat Germ (optional)
2 tsp. Baking Powder
2 Tbs. Sugar (or Splenda)
1/4 Tsp. Salt
Dash of Cinnamon

1 Large Egg
1 Tbs. Melted Butter
Vanilla to taste
1 Cup Milk (more or less to create the batter consistency you prefer)
Chopped Walnuts
Fresh Blueberries

Mix the dry ingredients in a bowl. Add the Flax and Oat Bran to taste. I eye it.

Add the egg, vanilla, and milk. For thinner pancakes go with a thinner batter (more milk), for thicker pancakes, a thicker batter (slightly less milk) Stir the liquids into the drys until the batter looks like you like it. Add the melted butter. Mix well.

Add the walnuts and blueberries.

Let it sit for a few minutes while the griddle gets hot.

Spray the griddle with Pam or something like that. You don’t want too much butter on the griddle.
Spoon the batter onto the griddle. When the edges begin to look cooked and small bubbles begin to form in the middle of the pancake, flip it over and let it finish cooking. Don’t let it burn!!

Add butter, of course and real maple syrup.
and above all, enjoy.

Revisiting “It’s A Wonderful Life: A Live Radio Play”

By Sean Murray. Posted on 11/20/09
Veronica Murphy and Tom Andrew

Veronica Murphy and Tom Andrew. Photo by Randy Rovang

Our theatre is presenting a 1940’s radio version of the movie, It’s A Wonderful Life. We all know the movie. I remember the first time I saw the movie. In the olden days, before you could buy the video or dvd or see a movie on television, one of the ways to see an old classic was to catch it at a movie theatre that showed revivals. In San Diego when I was a kid, this theatre was the Ken Cinema in Kensington.

I was a freshman at San Diego State University at the time, and my best friend, Russell and I decided to go see It’s A Wonderful Life at Christmas time. Neither of us had actually heard of it before, believe it or not. This was well before the Wonderful Life TV blitz when you could not turn on the TV without seeing it on every channel. So, for me and Russell, this was a new movie.

Here’s what I remember: being so totally swept up in the film and all of those beautiful citizens of Bedford Falls that I actually forgot I was at a theatre watching a movie. The people around me disappeared. Russell disappeared. My popcorn disappeared. We had no idea that there was going to be an angel or the redemption of the average man. The existential journey of George Bailey took me totally by surprise. By the time the friends came pouring in at the end of the movie, I was as wrecked as I had ever been. Total tears. No, not tears. Sobs. Aching, side holding sobbing. The theatre’s house lights came up and I was jolted back to my own reality: I was not there in the Bailey living room celebrating life and family, but sitting in one of the Ken’s then-famously uncomfortable seats, sobbing and gulping and blinking tears out my dazed eyes. Okay, I was eighteen. I hadn’t had a lot of experiences yet. It’s kind of sweet in retrospect.

I turned around realizing where I was, and Russell, who was sitting next to me was far worse than me! Whereas I had started to come back to earth, he was inconsolable. He couldn’t get up. He was crying to hard, that we had to wait until the theatre emptied before we could leave. Only now, we are laughing through our crying because we begin to realize that it was, after all, just a movie, you know?

I STILL cry at that movie. The tears seem to come at different things as I get older and life’s journey becomes more clear, if it ever actually does become clear. I’ll let you know when I get closer towards the curtain call.

In the meantime, the story stirs up thoughts about life choices, career paths, how the smallest connection can be a turning point without your even knowing it. It raises questions about whether we’re all following a predestined path, or wandering alone blindly forward. Are all of those small turning points lined up for us in advance, or do we alter the predestined path every time we make a choice between two things? Are there infinite predetermined life paths, each completely valid? Or ultimately one life journey with all of our “choices” already made for us?

As long as we recognize the value of each person in our life and their contribution to shaping what we are, we also have to recognize our power over other people’s lives and how our contacts, no matter how small, can change their lives too. All of this is karmic, isn’t it? It’s A Wonderful Life celebrates how interconnected we are all, and that we are truly not alone in this world. We are surrounded by what we create, we ARE what we create, so create something you can be proud of!

I didn’t mean to get so… blah blah blah with this. I was going to write about working on the story as a play and working with wonderful actors to get all of these feelings to happen live on stage. But it brings out the romantic in me.

I love to watch the actors take the journey every time they do it. I never tire of the show. It starts as such a sweet show with its soda fountains, snow sledding, and dreamers. The darker questions in the story seems to come up from behind us while we’re not looking and without realizing it we are suddenly addressing the horrifying notion of non-existence: To be a complete void. No mother. No family. No identity. Nothing.

Tom Andrew, who has played George since our first production, takes this journey with his whole body and soul every night! I admire him so much for the depth of emotion that he shares in telling George Bailey’s story. And all of the other actors in the company, Jonathan Dun-Rankin, Veronica Murphy, Tim West, David McBean, Melissa Fernandes and Amanda Sitton bring each and every one of these rich characters to life as if they were a company of thirty. With the live sound effects provided by Scott Paulson and musical direction and accompaniment by Amy Dalton, this show has become very special to us and to our audience.

It’s A Wonderful Life is such a beautiful story to touch base with every year. It’s a great reminder for us to keep in mind that every tiny choice we make or contact we have with another human has giant consequences for us all. We are all interconnected. It is a wonderful life.

Millennium babies introduced to a new kind of interactive media… LIVE THEATRE!!!

By Soroya Rowley. Posted on 10/29/09
kids

Kids enjoying Storytelling on the Green

“Ladies and Gentleman! Boys and Girls! Children of all ages! Gather ’round the flag pole in the Old Town Park and enjoy a 15 Minute performance of Living Shakespeare!”

Last Tuesday morning I snuck away from my usual Box Office abode and skipped over to the green in the middle of Old Town Park to watch our education departments regular performance of a 15 Minute Shakespeare. Here I was treated to a two-man rendition of that lamentable comedy, Pyramus and Thisby, from A Midsummer Night’s Dream.

Dressed in their authentic 1850’s garb, Actors Extraordinaire, Mr. Brian Mackey and Mr. Daren Scott gathered a group of touring 1st graders for a performance. A great relief to their exhausted teachers aids. Throughout the piece Brian and Daren hand picked 3 children to play the rolls of Lion, Wall and Moonshine, to the delight of their classmates.

Since birth, the adorable children of Generation Z have been inundated with mediated performance through movies, television and the internet.  The meaning of “live” performance has been reduced to a clip on YouTube, shot in one take.  For these children, “actors” live on the other side of a plasma screen and remain inaccessible and impersonal.  But not this time…

The children were fascinated, as if it were nothing they’d ever seen before.  Their eyes remained fixed on Brian and Daren’s hilarious range of characters, voices and gestures, not to mention their giggling classmates that had been chosen by the actors to take the stage… or in this case grass.

These actors weren’t walled off by a pixelated screen.  Instead of being separated from their entertainment the children were in the thick of it, interacting with the characters and becoming a part of the story as it unfolded before their young eyes. One little girl even captured the memory by recording the entire piece on her cell phone. Oh the irony!

“We are the Cygnet Players!  We need an audience and we need a cast! Gather ’round one and all!”

MAN FROM NEBRASKA: Road trip to Lincoln

By Jack Missett. Posted on 07/24/09
jack_corn

Jack Missett in front of Nebraska cornfield

On the road at 5 a.m., headed west from the bottom left corner of Iowa across the Missouri River on highway 34, which runs through the heart of the “Prairie Capital City,” Lincoln, the setting for Tracy Letts’ play Man from Nebraska (Oct. 3- Nov. 1, The Old Town Theatre).  When director Fran Gercke heard my wife and I would be visiting her Iowa relatives, he jumped at my offer to do a recon-and-report from Lincoln and blog about it.  So, at 5:42 a.m., I cross the Mizzou at Plattsmouth, Nebraska, on a tiny 2-lane toll bridge ($1.25 each way) – the bridge used to be privately owned by a family who built the bridge and kept all the tolls, but now the city owns it and I believe the price has gone up since my last visit.  A sign reads “NEBRASKA- THE GOOD LIFE.”

Lincoln isn’t just the state capital, it’s also the home to the University of Nebraska Cornhuskers football team – “Go Big Red!”  Corn figures in this story because there’s no escaping it…15 million beautiful acres producing more than a billion bushels of corn (most of it feeder corn for livestock, not sweet corn for our plates).  The gentle hills surrounding Lincoln are vast cornfields, “as high as an elephant’s eye.”  This is America’s farmland – corn, soybeans, sorghum (aka milo) and winter wheat. The most important subject other than the football team is the weather.

Highway 34 turns into O Street as I enter Lincoln at 6:53, searching in vain for a Starbucks.  It’s several blocks and several morning commuters honking their horns at me before I finally find one – Lincoln has lots of coffee shops, but not many Starbucks.  Help me, Toto, we’re not in California anymore.  But one thing Lincoln has plenty of is churches.  The population is about 250,000, and there are 229 churches, or about one church for every 1,000 people.  Man From Nebraska is the story of an ordinary guy who wakes up one morning and discovers he doesn’t believe in God anymore.  And he goes from being a regular church-going, insurance salesman, Baptist family man to a lost soul experiencing a “crisis of faith” in Lincoln.

My friend Carol and I meet up about 8:30.  She’s a U of N grad, lived all her adult life in Lincoln, and accepts my description of Lincolnites as “the plain people of the Plains” with bemusement.  Carol gives me a tour of the sights:  the towering State Capitol building, known to locals as the ‘Penis of the Prairie’ – hey, they said it, not me; the massive Memorial Stadium with it’s motto “Not the victory but the action, not the goal but the game, in the deed the glory” – pretty heady stuff for a football game; the beautiful Sunken Gardens and lovely neighborhoods filled with handsome homes.  Most of the cars I see are American made, and one car dealer has a sign out front reading “Here to Stay!” All in all, Lincoln seems more of a college town than the seat of state government, perhaps due to the fact that Nebraska is the only state in the union to have a non-partisan, unicameral  legislature (a single chamber representative body – why waste money taking two votes on everything).

More Corn

More Corn

Nebraska is a long state.  With a girlfriend in Iowa and a family in Wyoming, I know – I’ve driven it many times, even got thrown in jail once in Hershey for speeding, but that’s another story.  The state is also divided into north and south Nebraska by the Platt River (remember the toll bridge at Plattsmouth) and Omaha used to be the capital, and Lincoln used to be a town called Lancaster.  Back in Civil War days, people north of the Platt were rooting for the Yankees, and those south of the river – including Lancaster/Lincoln – were Confederate sympathizers…and except for the people in Omaha, everybody wanted to move the state capital out of Omaha to some place more in the middle of the state.  So, in what was seen as a trick vote, the folks in Omaha said, “We’ll move the state capital to Lancaster, but we want to change the name of the town to honor our recently assassinated hero of the Union cause, President Lincoln,” figuring the vote would lose.  But, nope, it passed, they changed the name and moved the capital.  Which may or may not explain why Lincoln is even today a very Caucasian city – 89.3% white, 3.6% Latino, 3.1% Asian , 3% African-American and the rest Native American and Pacific Islander or “other.”  However, in 2008, while the state of Nebraska went for McCain, Lancaster County and the City of Lincoln went for Obama.

A thunderstorm breaks at 9:45, and I say goodbye to Carol, buy a bunch of “Go Big Red” T-shirts for my fellow cast members and head back to Iowa, pausing only to photograph a barn with an American flag, and stopping in Plattsmouth for a raspberry turnover – they were all out of apple.  Sadly, I didn’t make it to the Johnny Carson Theatre, the black box performance space at the University named for the Tonight show star who generously donated $11 million to his alma mater (BA in Radio/Speech, minor in physics). The University also renamed The Department of Theatre Arts the Johnny Carson School of Theatre and Film.  Other famous people from Lincoln include Oscar winning actress Hilary Swank, Vice President Dick Cheney (who graduated from the same high school in Casper, Wyoming, as I did) and Charles Starkweather, mass murderer, who took along his 14 year-old girlfriend Carol Fugate as he killed 11 people, 3 of them in Lincoln.  No one was injured during the research and writing of this blog.  By lunchtime I’m back in Iowa, the sun comes out and we all go to the County Fair – parking and admission are free.

Top 5 Old Town Parking Secrets

By Josh Rowland. Posted on 07/16/09

With another warm San Diego summer upon us, locals and foreigners alike flock to the Old Town Historic State Park to enjoy it’s many restaurants, shops and cultural attractions. Cygnet has been an integral part in bringing San Diegans back into the park but with all the extra people visiting, the parking situation can become a challenge. Avoid the circling and frustration by reading up on my top 5 Old Town Park Parking Secrets:

5) Hacienda Hotel. The Hacienda Hotel offers paid parking in their garage (just up Juan Street) for a minimal charge.

4) Theatre Parking Only. There is a small parking lot adjacent to the Old Town Theatre that is held for theatre patrons only starting two hours before the show. You can park there, but be aware that it does fill up fast.

3) Go To Dinner/Lunch Before The Show. If you arrive two hours before a show with dinner plans, feel free to use our small theatre lot; pick up your tickets, go to dinner and return for the show. This has proven successful for many patrons so far in my experience.

2) Trolley Station/Cal-Trans Lot. If the parking lot is full near the theatre, give up! Don’t keep circling and circling, you need to make alternative parking plans. There are two HUGE parking lots in the area which are each less than a 5 minute walk to the theatre. The Trolley Station lot is located at the north east corner of the park on Taylor Street and Pacific Coast Highway. Unless there is a baseball game downtown, there is usually plenty of space. This also offers a nice, short walk through the State Park to get to the theatre. The new Cal-Trans administration building is hiding an enormous 600 stall parking lot behind it. At the intersection of Juan Street and Taylor Street, this lot is available in the evenings and on weekends.

1) Why not skip the car all together? Public transportation is the best way to avoid the challenge of parking your car in Old Town. We have the advantage of having on of San Diego’s major Transit Center’s in our backyard! You can catch the Blue, Green and Orange Trolley lines from Old Town as well as the Coaster or the numerous bus-lines that stop there. Check www.sdcommute.com for more information about routes and schedules.

The Best Kind of Madness

By Albert Dayan. Posted on 07/08/09
albertdayan

Albert Dayan as Lloyd DallasPhoto by Daren Scott

Jason Heil drove up to my hometown of Los Angeles to see a play, not cast one. But there we were, sitting in the audience of a theatre in Glendale, when my friend of many years floated a completely insane idea.

“Hey, you interested in auditioning for a play that begins rehearsals in a week?”

“I doubt it. Wait. Where’s it going up?”

“At Cygnet. In San Diego.”

What’s so insane about that? Well, for one thing, I am the father of an 11-month-child. And by father, I don’t mean a “show-up-in-the-evenings-and-pat-him-on-the-head” dad. No, I’m talking about a “full-time, daddy-day-care, I’m-the-one-who-gets-him-to-take-his-nap” dad. Moving to San Diego in a week’s time would effectively turn my wife into a single mom for the month it would take her to join me with our son, and leaving would also mean shuttering my tutorial business smack dab in the middle of its most profitable time of year. Jason, as usual, was entirely out of his mind.

“Sounds great. I’ll check with Katharine,” I told him.

A week later, there I was in the rehearsal room at Cygnet’s office, getting ready for the first read-through of Noises Off. It had all happened so fast. Seated around the table was a spectacularly talented cast. As luck would have it, a few among them were students or former students of mine. I’ve long taught a weekly acting class in San Diego and now, to my great delight, I’d be performing opposite several of them. Also in the show were San Diego luminaries Jonathan McMurtry and Rosina Reynolds, who I knew by reputation to be dauntingly talented actors. My role? Director Lloyd Dallas, the one who bosses them around.

Rehearsals turned out to be a blast, albeit a mind-numbing, exhausting blast. Anyone who’s done Noises Off can confirm for you two key things: one, it’s a hell of a good time and two, performing it is like running a marathon… in a blender… with a blindfold on. It’s the kind of show that leaves you with war stories. Just ask Rosina about her daily battle with the phone cord, or Sandy Campbell how I spit all over her, or Craig Huisenga how hard it is to make your pants fall off on cue. Ask Sean Murray how he manages, day in, day out, to keep us from accidentally killing each other.

Heading into previews I’m excited as hell. From the beginning, this whole journey for me has been absolutely the best kind of madness. I wouldn’t trade it for anything. As my character Lloyd so aptly puts it in Act One, “That’s farce, that’s theatre, that’s life.”

Hear Ye! Hear Ye!

By Rachael VanWormer and Brian Mackey. Posted on 06/24/09
Brian Mackey

Brian Mackey

We com’st bearing sweet tidings about Cygnet Theatre’s Storytelling on the Green!  What is’t that which thou sayest? Hast not thou heard’st about Cygnet Theatre’s newest endeavor? Ye Gods!! Well sit thee before thy pixilated viewing screen and hear told tell bout the misadventures of the Cygnet Players.

The Cygnet Players is a group of actors, Jacob Caltrider, Rachael VanWormer and Brian Mackey, that perform a 15 minute, 2 person adaptation of the Shakespeare’s Scottish play, Macbeth. We were directed and nudged along by the multi talented Fran Gerke. We perform every Tuesday, Thursday and Friday at noon for audiences that consist of park guests, tourists and school children ranging from first to fifth grade.

When we started this program, we had a pretty complete version of Macbeth – minus Banquo and about half the other characters. As actors, we found this condensed version entertaining and easy to follow, however, we didn’t take into account the attention span of younger children. Once we brought the show out into Old Town, we found our young crowd was more interested in playing with the grass they were sitting on than listening to long, poetic soliloquies. So back we went, and cut here, and nipped there, and added a few more sword fights (which the children LOVE) and arrived back on the scene with a Macbeth that holds our crowds attention for just long enough.

Jacob Caltrider performing for some children.

Jacob Caltrider performing for some children.

In accordance with Old Town guidelines, we perform the piece in the acting style of the 1860’s, which if viewed today, would appear melodramatic. The acting style includes exaggerated hand gestures appropriately titled “Disdain”, “Accusation”, and “Remorse”, to name a few, and most of the text is delivered straight to the audience as opposed to delivered to the other actor. To hold onto the kids’ attention, we have added moments of audience participation including crowing one of the children Malcolm, the heir to the Scottish crown.  We also dress in period garb and all our props are made from materials which would have been common place at the time (shout out to Veronica Murphy and Bonnie Durben for costumes and props).  We are still very much learning on our feet, and continue to discover new ways to engage our audience, while attempting to maintain some sense of the original story and text.

And now that thou art finally fully aware and knowledgeable about The Cygnet Players and their struggle to educate-eth the youth-eth of today, we pray that thou mightest take-eth it upon thy self-eth to collect-eth thy own children, grandchildren, nieces, and nephews, young of heart and old of spirit, and join-eth us upon our blasted health to hear tell the terrible, tragic tale-eth, of the Scottish King, Macbeth-eth.