I am really excited about beginning work on our upcoming musical, Bed and Sofa, by Polly Pen and Laurence Klavan. We did this show as part of our very first season, before many people had even heard about our work. It turned out to be a wonderful success and helped introduce our theatre to a new range of people. I’ve wanted to work on it again because it was one of the most unique experiences I’ve ever had in the theatre.
It’s based on the 1926 Russian silent-film by Abram Room. The movie, which is available on Amazon in beautiful restoration DVD, was a breakthrough film that is startlingly contemporary in it’s acting style and cinematic directing.
As we begin work bringing this musical-adapted-from-a-silent-film-for-the-stage we’re trying to capture the essence of a silent movie. As in our first production, we are creating a world onstage that is completely engulfed in glorious black and white! Every detail of the set from the bedding to the fried egg is presented in shades of grey. Even the actors are in grey scale creating the total illusion of the silver tones of the silent era. Andy Hull, our SDSU Fellowship Designer who designed, is working with me on the set design. We are having a great time taking the cramped apartment set from the film and adapting it for the stage. The set from our original production in 2004 is being re-imagined in a slightly bigger version for the Old Town Theatre.
What’s exciting for us is that the new production isn’t a remount at all. It will feature a entirely new cast, as our original Kolya, Eric Anderson is currently on Broadway in the revival of South Pacific, and Julie (Jacobs) Ludlum now resides in Northern California with her husband and two babies and Michael Elliott now lives in Texas. They were wonderful and were recognized for their work with awards from the San Diego Critic’s Circle. But the new cast that is being assembled consists of some of San Diego’s favorite musical performers and I am thrilled and excited to see what they bring to the roles. When I am finished casting I’ll share who they are and maybe they can be convinced to add to this blog as we begin rehearsals.
The production team is top notch. The talented G. Scott Lacy will be music directing and a designer I’ve loved and worked with several years ago, Corey Johnston, will be designing the costumes. Our resident artist lighting designer Eric Lotze is given the challenge of creating a live version of a black and white film and Sam Lerner will be creating a soundscape that evokes the world of Stalin’s Moscow. And the many black and white props, including grey eggs and real black bread, will be created, as always, by Bonnie Durben.
It’s getting exciting. More to come…