It’s my day off. It’s raining outside. I feel cozy and happy and really excited for the week ahead– we’ve just finished techingand I don’t think any of us could be happier with it.
Generally the whole rehearsal period seems now to have gone by so quickly… There was so much to learn and discover and figure out, and of course there still is, but as I look back on everything, I’ve been having so much fun I completely forgot how much work has gone into it. Through the French and the History of WWI and the songs and dances and subtext and blocking it really did all feel like playing… Playing with building blocks or clay and kinda just creating something along the way. I know that’s a very general way to describe a rehearsal process but it doesn’t always feel like that. This one did.
As for me, I love Posner. This isn’t a comment on my performance– there’s still so much to discover and figure out, and I’m incapable of observing myself like that even if I wanted to. No, I just love the words I’m given to say and the actions I’m given to do. Who else gets to sing Edith Piaf, quote Shakespeare, define words AND be utterly in love, all in the same play? And within moments of each other? And being in love in this play is incredibly easy. With this cast, you’re constantly surrounded with vitality and good energy, and you know you can’t fail because they’re all there to catch you, and you’re there to catch them. There really is a lot of love on that stage. Every time we run the show I feel us becoming more and more cohesive, and also more and more confident in our individuality. It’s awesome. This weekend especially we’ve gotten to a point where I find myself onstage so completely drawn in to what’s going on that I forget there’s any lines or acting involved. The actions and words just tumble out naturally. And I know the others would agree. This is an incredible ensemble Sean Murray has put together. I feel so lucky to be part of it.
Best of all, it’s FUN. This is a fun, fun, fun show to be in. Every moment is a treat. I don’t think there’s a single person in the ensemble who doesn’t enjoy every single moment they have on stage.
I think that, whatever happens, we have something very special in the works here.
I am full of anticipation today. We begin tech tonight for our upcoming production of. It’s one of my favorite times in rehearsal: when the show that is being put together in a rehearsal room begins to actually look like a play! This is where the production begins to develop it’s “look” in the lighting and sound designs. I always love working with Eric Lotze and can’t wait to see what we come up with.
Matt Lescault-Wood is designing the sound for the show. Full of atmospheric environments that will help create the school grounds of these boys. Shirley Pierson, one of our SDSU Lipinkski Fellowship Designers, is creating the 1980’s school wear. Bonnie Durben our props. And Andy Hull, also a SDSU Lipinski Fellowship Designer, has created a sort of deconstructed school, not really literal, but definitely evokes that environment. With Stanley Cohen as my stage manager, rather the captain of the show, I am so happy to be working with all of them.
Oh, and those boys…there’s a lot of talent up there and a lot of energy. Go get ’em guys.
Bon Voyage, History Boys!
We’ve finished teching the show and had the great luxury of doing a run thru on Sunday. I couldn’t be happier or more proud of the work that the boys and their faculty are doing. It’s just such a treat to get to work with them. They are dedicated, fun, energetic (o God, are they energetic!) and thoroughly talented.